Dustin Lynch Subverts ‘Bro Country’ Stereotypes with ‘Killed the Cowboy’ Album

Ahead of his sixth studio album, Dustin Lynch found himself contemplating his next move. Having achieved success in country music with radio hits, billions of streams, and touring with some of the biggest names in the industry, Lynch was at a crossroads. He wondered what the next level was for him and where he wanted to be in the future. With his album “Killed the Cowboy,” Lynch tackles themes of domesticity and vulnerability, challenging the “bro country” labels often associated with single male country artists. While the album features songs about drinking and partying, it also provides insight into Lynch’s inner thoughts and a desire for settling down.

Lynch sees his performances as opportunities to inspire and uplift his fans who may be going through similar experiences in their own lives. He recognizes that his music brings people together and serves as a source of healing. The album, titled “Killed the Cowboy,” leaves the narrative open-ended, allowing listeners to find their own resonance within the songs.

The album features collaborations, such as the reimagination of Dobie Gray’s hit “Drift Away” with breakout star Jelly Roll in the song “Chevrolet.” It also includes songs that capture the energy of a weekend night in Nashville’s Broadway area, as well as tracks that celebrate love and mourn missed opportunities. Lynch describes “Killed the Cowboy” as his most open and honest album, as he explores what’s next for his life while providing a therapeutic outlet through his music.

While the album doesn’t provide concrete answers to Lynch’s internal questions, he embraces the journey and values the opportunity to share his experiences with his audience. Lynch is comfortable being himself and accepting that there are others out there who can relate to his story. “Killed the Cowboy” is a testament to his growth as an artist and his willingness to explore new territories within country music.